Research-driven, cinematically scored documentaries for brands, institutions, and impact organisations — built for OTT, festivals, and earned media reach.
Preserving craft, tradition, and lived history through immersive visual archives — from dying art forms to architectural legacies.
Issue-led storytelling for nonprofits, CSR arms, and impact funds — designed to move policy, unlock funding, and change public perception.
Manufacturing floors, supply chains, R&D labs, founder journeys — long-form brand authority content that builds trust with investors and partners.
Field-shot nature and conservation films with expedition-grade logistics, macro cinematography, and scientific narration.
University legacy films, alumni stories, campus documentaries, research spotlights — content that fuels admissions and donor engagement.
Personal-vision documentaries developed for festival circuits — MIFF, IFFK, IDFA-track submissions with full post-production pipeline.
Deep subject-matter research, stakeholder interviews, archival sourcing, and narrative arc mapping. Output: a treatment document with visual references.
Location scouting, subject scheduling, crew assembly, permits, gear prep, and contingency planning for unpredictable field conditions.
On-ground capture — interviews, B-roll, verite footage, aerials, time-lapses. Multiple field rotations if the story demands geographic breadth.
Story structure in the edit bay. Paper edit → assembly → rough cut with temp music and scratch narration. Client review at rough-cut stage.
Locked edit, original or licensed score, foley, ambient sound design, narration recording, colour grade, title design, and subtitles.
Master file, festival-spec DCP/ProRes, platform cuts, trailer, poster stills, EPK, and distribution strategy consultation.
Most production houses treat docs as long-form ads. We treat them as investigative craft — research-first, then camera.
Weeks of subject research, stakeholder mapping, and archival work before a single frame is shot.
Crew trained for unpredictable environments — rural terrain, factory floors, conflict zones, wildlife habitats.
We don't just deliver a file. Festival submission calendars, OTT pitch decks, and EPKs are part of the package.
In-house and partner composers who score to picture — no stock music libraries, no generic underscore.
Most agencies gave us a corporate video. Eknetra gave us a film that made our board cry and our donors double their pledge. That's the difference between coverage and cinema.
Send us a one-line premise, a 10-page treatment, or just a hunch. We'll tell you if there's a film in it — and how to make it.
Commission a Documentary →